Aleksandr Gogoliuk
During my time at GSA, I have had the opportunity to experiment with my style and improve my understanding of interior design as a practise. This year I focused on the importance of balance, achieved through the form and composition of my design. In the Glasgow Printhouse project, I have treated the interior as though it were a canvas, following similar design principles as in portraiture in the use of repetition, scale, and visual hierarchy.
The palette is a modern take on De Stijl, consisting of less saturated red, blue, and yellow tones to conform to a more contemporary colour palette. The sophistication of Japanese modernism, Finnish modernism, and designs of American architects and artists such as Frank Lloyd Wright and Donald Judd are also reflected in the use of materials and form.
Brief Project Overview
The purpose of this project was to provide an institution that supported the growth of the fine art printmaking scene in Glasgow, offering a space that was highly accessible to beginners interested in the medium. The design of the studio takes inspiration from the open layout of assembly buildings such as museums and galleries, reflecting the ‘everyone’s welcome’ philosophy of these spaces.
“I chose to dedicate the space to printmaking due to the adaptability it provides for people of different skill levels and the vast options it offers for techniques and styles of art.”
Aims:
- To create an accessible and inviting printmaking studio that encourages the learning and consumption of art for families, local communities, and schools during the week whilst also offering sufficient space for experienced artists.
- To provide a complimentary space attached to the printmakers where users of the space and the public can relax and observe the printmaking process.