PAINTING & PRINTMAKING

Stow Building, 53 students

The Department of Painting and Printmaking is the largest specialist department within the School of Fine Art and the programme of study provides an increase the breadth of experience and learning opportunities for students.

The programme aims to equip students with the necessary skills and expertise to realise their full creative potential and to pursue a career in the visual arts or other chosen professions. Each year is designed to ensure that it builds upon the previous year in terms of content, skill development and individual research.  Students are provided with a sound knowledge of the theory and practice of their subject before developing personal study paths and self-motivated programmes of work in the final year.

Welcome

Introduction to Painting & Printmaking

from Degree show

from Buddha (Series)

from Buddha (Series)

from Degree show

from Degree show

from Time I Spent

from Time I Spent

from Time I Spent

from P+P Binary and Hex Register, Class of 2023

from Morning, Afternoon, Evening Train

from ROCK PAPER SCISSORS

from ROCK PAPER SCISSORS

from ROCK PAPER SCISSORS

from ROCK PAPER SCISSORS

from ROCK PAPER SCISSORS

from Storm

from Surfers

from Following Mother

from Do you see the horse?

from Storm

from ‘Word Over Word’

from ‘The Walls Are Talking’

from ‘The Walls Are Talking’

from ‘Side By Side’

from ‘Side By Side’

from The Picture Box – Installation

from The Picture Box – Installation

from The Picture Box – Installation

from The Picture Box – Installation

from The Picture Box – Installation

from Spring

from Spring

from Spring

from Spring

from Spring

'Perfectly' 2023 Glitter paper, printer ink, assorted stickers. 21 x 29.7 cm

from Tattooing (Temporary)

from ‘A Place For Things To Gather’ Degree Show

from A3 Works On Paper

from ‘A Place For Things To Gather’ Degree Show

from Tattooing (Temporary)

from Other Works 2022/23

from Install shots for Degree Show

from Install shots for Degree Show

from Install shots for Degree Show

from Selected Works 2023

a humanoid figure looks to the right against a blue background. He's standing in a field of flowers with clouds in the sky
image of two paintings - a humanoid figure among flowers looking towards a second painting of an empty urban landscape

from Degree Show

etching of man on railway tracks with more plantlife

from Etching

a figure drawn only in outline is bending over, behind them is a spectrum of colour all on a black background

from Paintings from year 4

a human like figure is sitting looking onto an urban wasteland under ominous skies.

from Paintings from year 4

image of two paintings. One of a humanoid in a barren landscape looking left towards a painting of a person sitting in an abandoned urban landscape

from Degree Show

from Lesbian Stone Soup

from Lesbian Stone Soup

from Lesbian Stone Soup

from Lesbian Stone Soup

from Lesbian Stone Soup

from A Collab Space

from A Collab Space

from A Collab Space

from A Collab Space

from A Collab Space

from Nord Gren ( A Collection of Field Recordings)

from Nord Gren ( A Collection of Field Recordings)

from Nord Gren ( A Collection of Field Recordings)

Image of a print showing an owl

from Handle With Care

from Handle With Care

from Handle With Care

from Handle With Care

from Handle With Care

The Memory Collection

from The Memory Collection

from Bus Shelter

from The Memory Collection

from The Memory Collection

from Shelter (Each Other, Each Other)

from Sum Wrk

from Sum Wrk

from Sum Wrk

from Sum Wrk

from Sum Wrk

from We Are All One, We Are No One

from We Are All One, We Are No One

from Form as Shape – Series of Smaller Works

from Dance Of Despair

from Form as Shape – Series of Smaller Works

from Yellow Strike

from Strike 2

from Big X 2

from Big X 2

from X on Canvas

from Setting the Table

from Setting the Table

from Flowers in Vase, Window Installation

from Setting the Table

from Flowers in Vase, Window Installation

from Bird after Bird

from The Three Angels

from The Three Angels

from The Three Angels

from The Three Angels

3D Painting. Photo still using Blender Software

from ‘Pharmacie’

from ‘The End’

from ‘The Body: In Three Parts’

from ‘Untitled.02’

from ‘The Body: In Three Parts’

from The Cowboy Builders

from The Cowboy Builders

from The Cowboy Builders

from The Cowboy Builders

from The Cowboy Builders

from Consonantia

from Tension, Repose

from Negative Space

from Allegro

from Tension, Repose

from WASTE NOT WANT NOT

from WASTE NOT WANT NOT

from WASTE NOT WANT NOT

from WASTE NOT WANT NOT

from WASTE NOT WANT NOT

from THE MAN OF HIS DREAMS

from THE MAN OF HIS DREAMS

from THE MAN OF HIS DREAMS

from THE MAN OF HIS DREAMS

from THE MAN OF HIS DREAMS

from The Kingdom of Caring

from The Kingdom of Caring

from The Kingdom of Caring

from The Kingdom of Caring

from The Kingdom of Caring

from Gabriel Christys

from Gabriel Christys 2022-2023

from Gabriel Christys

from Gabriel Christys 2022-2023

from Gabriel Christys 2022-2023

from Grid

from Beam and doors

from Grid and door

from Roof

from Roof

from ‘Sitting ducks II’

from ‘Untitled (composition with wood)’

from ‘Safe as houses’

from ‘Untitled (composition with wood)’

from ‘Untitled VI’

from duster

from chairs

from lamp

from chairs

from chairs

Behind the hap frame in "they are containers of fluidity" is hung a lithography print of a 35mm film photograph. This makes up the performative gesture of the work titled “pegging down their lace”. The lithography print is made of four coloured layers (cyan, magenta, yellow, and black) to create a full colour image. It retains the quality of the original film photograph. The white paper is pinned at the four corners with sewing pins into cork behind. The image itself is set amongst the mossy, loch edge in the Kilpatrick hills, just outside Glasgow. The blue ripples of loch Humphrey are just visible on the top edge of the image. Two young, white hands touch the knitting and steel knitting needles – pinning it out on the grass and moss. Small moss sporophytes peek through some holes in the lace. There is a gentle light settled across the photo and small shadows of the knitting needles are cast on the hand closest to the foreground.
The image itself is set amongst the mossy, loch edge in the Kilpatrick hills, just outside Glasgow. The blue ripples of loch Humphrey are just visible on the top edge of the image. Two young, white hands touch the knitting and steel knitting needles – pinning it out on the grass and moss. Small moss sporophytes peek through some holes in the lace. There is a gentle light settled across the photo and small shadows of the knitting needles are cast on the hand closest to the foreground.

from “pegging down their lace”

from “they are containers of fluidity”

from from land to lace

from from seed, to soil, to dye, to craft

from “they are containers of fluidity”

199.5 x 129.5 cm

from Paintings

from Paintings

from Artist Book

from Artist Book

from Artist Book

from LANDSCAPE 1

from FLAG 1

from CANTON

from FLAG 1

from LANDSCAPE 1

from FOUND SELF

from FOUND SELF

from FOUND SELF

from FOUND SELF

from FOUND SELF

from Tractors 2

from Tractors 1

from Portraits

from Tractors 2

from Motorcycle on Trailer

from Degree Show

from A pat on the wrong back

from A pat on the wrong back

from Degree Show

from Twisted

from ‘TRAPEZE’ – A Solo Exhibition by Eva M.V. Hewitt

from ‘TRAPEZE’ – A Solo Exhibition by Eva M.V. Hewitt

from ‘TRAPEZE’ – A Solo Exhibition by Eva M.V. Hewitt

from ‘TRAPEZE’ – A Solo Exhibition by Eva M.V. Hewitt

from ‘TRAPEZE’ – A Solo Exhibition by Eva M.V. Hewitt

from ‘Been Trying To Reach You’

from ‘Been Trying To Reach You’

from ‘Been Trying To Reach You’

from ‘Been Trying To Reach You’

from ‘Been Trying To Reach You’

from ‘Printed Luxury’

from ‘Printed Luxury’

Photo Scanned Envelope Printed onto Silk.

from ‘Printed Luxury’

from ‘Printed Luxury’

from ‘Printed Luxury’

from Artworks

from “UTILE” – Publication

from “UTILE” – Publication

from Artworks

from Artworks

from Works

from Works

from Works

from Works

from Works

Styrofoam mannequin head featuring a blonde synthetic wig decorated with small blue flowers. The wig swirls over the face which is painted in a Rococo style makeup. The head is on a gold plinth in front of a pink background.

from LET THEM EAT CAKE

from LET THEM EAT CAKE

from LET THEM EAT CAKE

from LET THEM EAT CAKE

from LET THEM EAT CAKE

from Kate Scheibli

from Kate Scheibli

from Kate Scheibli

from Kate Scheibli

from Kate Scheibli

from Memories of Motherhood

from Memories of Motherhood

from Memories of Motherhood

from Memories of Motherhood

from Memories of Motherhood

from Restless

from Restless

from Restless

from Restless

from Restless

from Paintings

from Exhibitions

from Paintings

from Lithography

from Drawings

from Lamps in Accelaration

from Floating lamps

from Lamps in Red

from Lamps Drawing

from Lamps in Red