My practice is driven by an interest in typography, book design, and materiality through printed matter. My work’s conceptual focus typically revolves around reinterpreting and retracing lost or historical communicative forms through contemporary perspectives. I’ve found that I’m drawn to ideas and elements which are more fragmentary and residual than fully fledged—I often use my work as a vehicle to better comprehend, explore and communicate ideas which are temporally or ontologically disconcerting, ambiguous or non-linear in nature.