My work is realised in situ, designing an uncomfortable or absurd situation unique for each audience. Social guidelines, drive my work in order to break them. Activism initially drove my making, to shock and make change, but this has developed into an enquiry of discomfort and disruption. I find interest in the unpredictability of reaction to this, and participation and interactivity in causing disruption.

I use the body as a tool that can be altered by masks and prosthetics or moved and performed in questioning autonomy. In this way, performance and happenings, become the rawest medium for exploring support, violence and vulnerability. With this I integrate new technology, as a social tool for interaction and to explore the boundaries between human and non human, ‘real’ performance vs virtual performance.

Using social media and the inherent shareability of the internet, I try to be mindful of my own vulnerability and the danger of oversharing in performance art. I use my practice to explore the complex ways we relate to one another, our environment and the digital realm.