We live in a time of unprecedented change – what does it mean to adapt in 2023? What societal pressures and norms are we forced to adapt to, and what radical potential could autonomous reinvention hold?
Govan Project Space (Group show 2) 2023 – “Pająk”
by
Nikola “NIXA” Martyna Legierska
“The Borgie Well Fairy Circle”, 2021
by
Nikola “NIXA” Martyna Legierska
Nord Gren ( A Collection of Field Recordings)
by
Theodore King
The Re-staging of a Photograph: Sophus Tromholt and Miscellaneous Astronomical Equipment, 1882-83.
by
Max Longhurst
Works that explore their maker’s lives or own stories, memories or experiences. These works will often explore the politics of the self as well as personal and political identity, and methods of making these parts of ourselves visible.
I Don’t Think You’ll Remember That Day At The Beach, 2023
by
Anna Koutsafti
N.6
by
Alice Biolo
The Algorithm Brings Up Your Name All The Time
by
Anna Koutsafti
“Smithson’s Humpty Dumpty” from Underbelly of Heaven Variations, in Many Mvts., in No Order, 2023
by
Thomas Newton
A greeny island where Miss M-A-P float about, 2023
by
Amy Ziyue Zhang
N.5
by
Alice Biolo
We Would Live In An Ugly City And We Would Be Happy, 2023
by
Anna Koutsafti
Works which explore what it means to work with others to build genuine and meaningful engagement through art and design. These works explore notions of collaboration, trust building and acts or communities of solidarity.
“The Borgie Well Fairy Circle”, 2021
by
Nikola “NIXA” Martyna Legierska
Community, Sustainability and Design: Towards a Greener Glasgow
by
Mary Martin
Ballads, Limericks and Interstellar Doggerel for Voyages Undertaken in the Pretense of Space Colonization
by
Max Longhurst
Essay: Coming into correspondence: Indigenous ontology, art practice and the posthuman
by
Felicity White
LORE
by
Hector Will
In a world that has changed irrevocably, where do we go from here? These creative responses consider the potential of a post-COVID world.
Works that engage with writing and theory – adopting and challenging dominant forms, and taking inspiration from writers and thinkers.
Ballads, Limericks and Interstellar Doggerel for Voyages Undertaken in the Pretense of Space Colonization
by
Max Longhurst
“Smithson’s Humpty Dumpty” from Underbelly of Heaven Variations, in Many Mvts., in No Order, 2023
by
Thomas Newton
The Used Future: Finding Life in Science-Fiction (Essay)
by
India Hay
A greeny island where Miss M-A-P float about, 2023
by
Amy Ziyue Zhang
From trans joy to Black feminism; gender fluidity to media representation – these works explore the intersecting aspects, questions and challenges of gender today.
“The Ceasg of Lang Craigs”, 2022
by
Nikola “NIXA” Martyna Legierska
Nüshu
by
Yilin Chen
Glory Days (TBM, KS, PML, PCP, HARS) (2022)
by
Christian Bronstein
‘I cannot hear what you say, for the thunders that you are’
by
Felix Butterwick
Ballads, Limericks and Interstellar Doggerel for Voyages Undertaken in the Pretense of Space Colonization
by
Max Longhurst
From technology-driven innovations in healthcare to narratives of mental illness, these works reflect on the current state of health and wellbeing, and imagine bold new futures.
How does creative practice respond to, and affect, the current geological age – defined by the dominant influence of humans on the landscape?
Works that explore and are interested in the ways in which material culture shapes and codes our political, personal and social lives. These works may also explore the politics of what it means to be a producer and maker, and how to make materials which are relevant and accessible.
‘A Place For Things To Gather’ Degree Show
by
Rachel Morrison
The Memory of Water: Portobello, Edinburgh Container
by
Laura To
Ballads, Limericks and Interstellar Doggerel for Voyages Undertaken in the Pretense of Space Colonization
by
Max Longhurst
Essay: Coming into correspondence: Indigenous ontology, art practice and the posthuman
by
Felicity White
Self-Initiated Project: Design for Disobedience
by
Doug Kennedy
These works centre ways or methods of working where the material or medium of the work is central to how the work communicates, engages and builds meaning with its audience.
The infinite variations of the human brain and differences in sociability, learning, attention and mood are considered and represented here, in work made by and/or for people with neurological differences such as autism and ADHD.
The need to de-colonise the mind, society, creative work, and the educational curriculum is presented with urgency here, alongside numerous intersecting themes of race and identity.
Essay: Coming into correspondence: Indigenous ontology, art practice and the posthuman
by
Felicity White
BA (Hons) Degree Show 2023 – “Mistresses of the Deep”
by
Nikola “NIXA” Martyna Legierska
Ballads, Limericks and Interstellar Doggerel for Voyages Undertaken in the Pretense of Space Colonization
by
Max Longhurst
When equals are treated unequally and the unequal treated equally, what is our creative response? These works, often political or philosophical, span issues of race, class equity, isolation, disadvantage, migration and bureaucracy
Community, Sustainability and Design: Towards a Greener Glasgow
by
Mary Martin
LOOPD: Elevated Care Systems for Chronic Illness
by
Nilanjana Mannarprayil
13/04/2022, 21:00 – 14/04/2022, 9:58: Solo Violin
by
Wenyi Pan
“All the pretty little flowers you don’t know – Blossom 01”
by
Ziyue Lin (Shizuki Ichihara)
Our world’s changing climate is the defining challenge of a generation, and sustainability is the responsibility of all artists, designers and architects. From zero-waste design to architecture that considers rising sea levels, these works range from provocative, to grief-stricken, to cautiously hopeful.
Nord Gren ( A Collection of Field Recordings)
by
Theodore King
The Memory of Water: Portobello, Edinburgh Container
by
Laura To
Community, Sustainability and Design: Towards a Greener Glasgow
by
Mary Martin
Rising from Earth: A Wellness Center Tower Inspired by Nature’s Form
by
Wiktoria Pelczynska
A VISION FOR WATER-CENTRIC URBANISM: AN ORGANIC ARCHITECTURAL MASTERPLAN FOR BRUSSELS
by
Myia Robinson