PAINTING & PRINTMAKING

Stow Building, 53 students

The Department of Painting and Printmaking is the largest specialist department within the School of Fine Art and the programme of study provides an increase the breadth of experience and learning opportunities for students.

The programme aims to equip students with the necessary skills and expertise to realise their full creative potential and to pursue a career in the visual arts or other chosen professions. Each year is designed to ensure that it builds upon the previous year in terms of content, skill development and individual research.  Students are provided with a sound knowledge of the theory and practice of their subject before developing personal study paths and self-motivated programmes of work in the final year.

Welcome

Introduction to Painting & Printmaking

from Artist Book

12 x 16 inches

from Paintings

from Artist Book

6 x (10 x 10 inches)

from Paintings

199.5 x 129.5 cm

from Paintings

Image of a print showing an owl

from Handle With Care

from Handle With Care

from Handle With Care

from Handle With Care

from Handle With Care

from Setting the Table

from Flowers in Vase, Window Installation

from Setting the Table

from Setting the Table

from Flowers in Vase, Window Installation

from ‘TRAPEZE’ – A Solo Exhibition by Eva M.V. Hewitt

from ‘TRAPEZE’ – A Solo Exhibition by Eva M.V. Hewitt

from ‘TRAPEZE’ – A Solo Exhibition by Eva M.V. Hewitt

from ‘TRAPEZE’ – A Solo Exhibition by Eva M.V. Hewitt

from ‘TRAPEZE’ – A Solo Exhibition by Eva M.V. Hewitt

from chairs

from duster

from chairs

from duster

from lamp

from Gabriel Christys 2022-2023

from Gabriel Christys 2022-2023

from Gabriel Christys 2022-2023

from Gabriel Christys

from Gabriel Christys 2022-2023

3D Painting. Photo still using Blender Software

from ‘The Body: In Three Parts’

from ‘Pharmacie’

from ‘Untitled.04’

from ‘Untitled.02’

from ‘The Body: In Three Parts’

from Mono-screen prints

from Mono-screen prints

from Exhibitions

from Mono-screen prints

from Exhibitions

from Twisted

from Degree Show

from The Theft of Something Dear

from Degree Show

from Degree Show

from FLAG 2

from CANTON

from CANTON

from GREEN 1

from FLAG 1

from Works

from Works

from Works

from Works

from Works

from THE MAN OF HIS DREAMS

from THE MAN OF HIS DREAMS

from THE MAN OF HIS DREAMS

from THE MAN OF HIS DREAMS

from THE MAN OF HIS DREAMS

from Spring

from Autumn, Winter

from Autumn, Winter

from Spring

from Spring

from The Picture Box – Installation

from The Picture Box – Installation

from The Picture Box – Installation

from The Picture Box – Installation

from The Picture Box – Installation

from Following Mother

from Storm

from Storm

from Surfers

from Following Mother

from Nord Gren ( A Collection of Field Recordings)

from Nord Gren ( A Collection of Field Recordings)

from Nord Gren ( A Collection of Field Recordings)

from The Cowboy Builders

from The Cowboy Builders

from The Cowboy Builders

from The Cowboy Builders

from The Cowboy Builders

from Dream city

from Lemon yellow afternoon light

from The Three Angels

from Dream city

from The Three Angels

from ‘Word Over Word’

from ‘The Walls Are Talking’

from ‘Side By Side’

from ‘Side By Side’

from ‘The Walls Are Talking’

The photocopied image of gloves on silk is a striking image that is reminiscent of the Abstract Expressionism movement. This helps the work to be more contemporary as contributed by how the silk material ripples in the breeze.

from ‘Printed Luxury’

from ‘Printed Luxury’

from ‘Printed Luxury’

1970 Slovakian Magazine Clip from 'Politician, An Entertainer' - 'Big White Star'​ Translated Text is about the discovery of a Star in Neptune. The article leads on to the affect scientific discoveries have on the world, whether that leads to mass panic or excitement.​

from ‘Printed Luxury’

from ‘Printed Luxury’

from Allegro

from Tension, Repose

from Tension, Repose

from Consonantia

from Negative Space

from FOUND SELF

from FOUND SELF

from FOUND SELF

from FOUND SELF

from FOUND SELF

from Degree show

from Degree show

from Degree show

from Buddha (Series)

from Buddha (Series)

from Kate Scheibli

from Kate Scheibli

from Kate Scheibli

from Kate Scheibli

from Kate Scheibli

from WASTE NOT WANT NOT

from WASTE NOT WANT NOT

from WASTE NOT WANT NOT

from WASTE NOT WANT NOT

from WASTE NOT WANT NOT

from Strike 2

from X on Canvas

from X Bench Installation Shots

from X Bench Installation Shots

from Yellow Strike

from ‘Untitled VI’

from ‘O,o,o,o,o,o,o’

from ‘Untitled (composition with wood)’

from ‘Untitled VI’

from ‘O,o,o,o,o,o,o’

from Time I Spent

from Time I Spent

from P+P Binary and Hex Register, Class of 2023

from Morning, Afternoon, Evening Train

from Time I Spent

from Artworks

from Artworks

from Artworks

from Artworks

from Artworks

a humanoid figure looks to the right against a blue background. He's standing in a field of flowers with clouds in the sky
a row of etched prints showing the print darkening as it progresses

from Etching

etching where the image of the humanoid is covered by plant growth and in danger of being lost

from Etching

a rich green curvilinear forest floor with some trees in the background.

from Paintings from year 4

Etching print where the majority of the image has been masked by the process but parts of plants still show

from Etching

etching of man on railway tracks with minimal plant life around him

from Etching

from We Are All One, We Are No One

from Series Of Cyanotype Prints

from Dance Of Despair

from Dance Of Despair

from Form as Shape – Series of Smaller Works

from Sum Wrk

from Sum Wrk

from Sum Wrk

from Sum Wrk

from Sum Wrk

from Restless

from Restless

from Restless

from Restless

from Restless

from Tractors 2

from Tractors 2

from Tractors 1

from Trucks

from Motorcycle on Trailer

Styrofoam mannequin head featuring a blonde synthetic wig decorated with small blue flowers. The wig swirls over the face which is painted in a Rococo style makeup. The head is on a gold plinth in front of a pink background.

from LET THEM EAT CAKE

from LET THEM EAT CAKE

from LET THEM EAT CAKE

from LET THEM EAT CAKE

from LET THEM EAT CAKE

from The Kingdom of Caring

from The Kingdom of Caring

from The Kingdom of Caring

from The Kingdom of Caring

from The Kingdom of Caring

from Waterworks, 2023

from A Collab Space

from A Collab Space

from Waterworks, 2023

from Folds, 2023

from ROCK PAPER SCISSORS

from ROCK PAPER SCISSORS

from ROCK PAPER SCISSORS

from ROCK PAPER SCISSORS

from ROCK PAPER SCISSORS

from Grid

from Roof

from Roof

from Beam and doors

from Beam and doors

from Memories of Motherhood

from Memories of Motherhood

from Memories of Motherhood

from Memories of Motherhood

from Memories of Motherhood

from Lesbian Stone Soup

from Lesbian Stone Soup

from Lesbian Stone Soup

from Lesbian Stone Soup

from Lesbian Stone Soup

The Memory Collection

from Bus Shelter

from The Memory Collection

from Shelter (Each Other, Each Other)

from The Memory Collection

from The Memory Collection

Behind the hap frame in "they are containers of fluidity" is hung a lithography print of a 35mm film photograph. This makes up the performative gesture of the work titled “pegging down their lace”. The lithography print is made of four coloured layers (cyan, magenta, yellow, and black) to create a full colour image. It retains the quality of the original film photograph. The white paper is pinned at the four corners with sewing pins into cork behind. The image itself is set amongst the mossy, loch edge in the Kilpatrick hills, just outside Glasgow. The blue ripples of loch Humphrey are just visible on the top edge of the image. Two young, white hands touch the knitting and steel knitting needles – pinning it out on the grass and moss. Small moss sporophytes peek through some holes in the lace. There is a gentle light settled across the photo and small shadows of the knitting needles are cast on the hand closest to the foreground.

from from land to lace

from from seed, to soil, to dye, to craft

from from seed, to soil, to dye, to craft

Behind the hap frame in "they are containers of fluidity" is hung a lithography print of a 35mm film photograph. This makes up the performative gesture of the work titled “pegging down their lace”. The lithography print is made of four coloured layers (cyan, magenta, yellow, and black) to create a full colour image. It retains the quality of the original film photograph. The white paper is pinned at the four corners with sewing pins into cork behind. The image itself is set amongst the mossy, loch edge in the Kilpatrick hills, just outside Glasgow. The blue ripples of loch Humphrey are just visible on the top edge of the image. Two young, white hands touch the knitting and steel knitting needles – pinning it out on the grass and moss. Small moss sporophytes peek through some holes in the lace. There is a gentle light settled across the photo and small shadows of the knitting needles are cast on the hand closest to the foreground.

from “pegging down their lace”

from “they are containers of fluidity”

from Lamps in Accelaration

from Lamps in Red

from Lamps in Accelaration

from Lamps Drawing

from Floating lamps

from Selected Works 2023

from Selected Works 2023

from Other Works 2022/23

from Install shots for Degree Show

from Install shots for Degree Show

from ‘Been Trying To Reach You’

from ‘Been Trying To Reach You’

from ‘Been Trying To Reach You’

from ‘Been Trying To Reach You’

from ‘Been Trying To Reach You’

'Perfectly' 2023 Glitter paper, printer ink, assorted stickers. 21 x 29.7 cm

from ‘A Place For Things To Gather’ Degree Show

from A4 Works On Paper

from A4 Works On Paper

from ‘A Place For Things To Gather’ Degree Show

from A4 Works On Paper