





We live in a time of unprecedented change – what does it mean to adapt in 2023? What societal pressures and norms are we forced to adapt to, and what radical potential could autonomous reinvention hold?
Works that explore their maker’s lives or own stories, memories or experiences. These works will often explore the politics of the self as well as personal and political identity, and methods of making these parts of ourselves visible.
Works which explore what it means to work with others to build genuine and meaningful engagement through art and design. These works explore notions of collaboration, trust building and acts or communities of solidarity.







BA (Hons) Degree Show 2023 – “Mistresses of the Deep”
by
Nikola “NIXA” Martyna Legierska

LORE
by
Hector Will


“The Borgie Well Fairy Circle”, 2021
by
Nikola “NIXA” Martyna Legierska










The “Grow” House, Meadow Road Urban Building Project + The “Street”, Ardery Street Urban Housing Project
by
Derry Cunningham
In a world that has changed irrevocably, where do we go from here? These creative responses consider the potential of a post-COVID world.
Works that engage with writing and theory – adopting and challenging dominant forms, and taking inspiration from writers and thinkers.

A greeny island where Miss M-A-P float about, 2023
by
Amy Ziyue Zhang



“Smithson’s Humpty Dumpty” from Underbelly of Heaven Variations, in Many Mvts., in No Order, 2023
by
Thomas Newton


Ballads, Limericks and Interstellar Doggerel for Voyages Undertaken in the Pretense of Space Colonization
by
Max Longhurst




The Used Future: Finding Life in Science-Fiction (Essay)
by
India Hay


From trans joy to Black feminism; gender fluidity to media representation – these works explore the intersecting aspects, questions and challenges of gender today.




Glory Days (TBM, KS, PML, PCP, HARS) (2022)
by
Christian Bronstein

“The Ceasg of Lang Craigs”, 2022
by
Nikola “NIXA” Martyna Legierska



The Re-staging of a Photograph: Sophus Tromholt and Miscellaneous Astronomical Equipment, 1882-83.
by
Max Longhurst




Govan Project Space (Group show 2) 2023 – “Pająk”
by
Nikola “NIXA” Martyna Legierska





Ballads, Limericks and Interstellar Doggerel for Voyages Undertaken in the Pretense of Space Colonization
by
Max Longhurst


From technology-driven innovations in healthcare to narratives of mental illness, these works reflect on the current state of health and wellbeing, and imagine bold new futures.




N.5
by
Alice Biolo

N.9
by
Alice Biolo





Rising from Earth: A Wellness Center Tower Inspired by Nature’s Form
by
Wiktoria Pelczynska


LOOPD: Elevated Care Systems for Chronic Illness
by
Nilanjana Mannarprayil


Children s Hospital specialized in physiotherapy
by
Mathilde Finidori


N.6
by
Alice Biolo



The Memory of Water: Portobello, Edinburgh Container
by
Laura To

How does creative practice respond to, and affect, the current geological age – defined by the dominant influence of humans on the landscape?

003
by
Peter Gillies


009
by
Peter Gillies

TacTILE: Haptic Flooring for Theme Park Attractions
by
India Hay



The Journey of a Molecule of Water, 2022. Soundscape.
by
Edu Sanchez

The Used Future: Finding Life in Science-Fiction (Essay)
by
India Hay

A greeny island where Miss M-A-P float about, 2023
by
Amy Ziyue Zhang

“The Borgie Well Fairy Circle”, 2021
by
Nikola “NIXA” Martyna Legierska




“Smithson’s Humpty Dumpty” from Underbelly of Heaven Variations, in Many Mvts., in No Order, 2023
by
Thomas Newton

Quarrying the Ruinscape… To bring the Palais to Justice
by
Rachel Crooks



Future Experiences Part Two: Borders & Perspectives
by
Doug Kennedy
Works that explore and are interested in the ways in which material culture shapes and codes our political, personal and social lives. These works may also explore the politics of what it means to be a producer and maker, and how to make materials which are relevant and accessible.

What’s Your Favourite Outfit To Dance In?
by
Anna-Rose McChesney




The Memory of Water: Portobello, Edinburgh Container
by
Laura To


Self-Initiated Project: Design for Disobedience
by
Doug Kennedy








Essay: Coming into correspondence: Indigenous ontology, art practice and the posthuman
by
Felicity White

‘A Place For Things To Gather’ Degree Show
by
Rachel Morrison




These works centre ways or methods of working where the material or medium of the work is central to how the work communicates, engages and builds meaning with its audience.
The infinite variations of the human brain and differences in sociability, learning, attention and mood are considered and represented here, in work made by and/or for people with neurological differences such as autism and ADHD.
The need to de-colonise the mind, society, creative work, and the educational curriculum is presented with urgency here, alongside numerous intersecting themes of race and identity.









Ballads, Limericks and Interstellar Doggerel for Voyages Undertaken in the Pretense of Space Colonization
by
Max Longhurst




Essay: Coming into correspondence: Indigenous ontology, art practice and the posthuman
by
Felicity White

Govan Project Space (Group show 2) 2023 – “Pająk”
by
Nikola “NIXA” Martyna Legierska



Future Experiences Part Two: Borders & Perspectives
by
Doug Kennedy


When equals are treated unequally and the unequal treated equally, what is our creative response? These works, often political or philosophical, span issues of race, class equity, isolation, disadvantage, migration and bureaucracy



Future Experiences Part Two: Borders & Perspectives
by
Doug Kennedy

LOOPD: Elevated Care Systems for Chronic Illness
by
Nilanjana Mannarprayil

13/04/2022, 21:00 – 14/04/2022, 9:58: Solo Violin
by
Wenyi Pan





Community, Sustainability and Design: Towards a Greener Glasgow
by
Mary Martin





Self-Initiated Project: Design for Disobedience
by
Doug Kennedy




LORE
by
Hector Will
Our world’s changing climate is the defining challenge of a generation, and sustainability is the responsibility of all artists, designers and architects. From zero-waste design to architecture that considers rising sea levels, these works range from provocative, to grief-stricken, to cautiously hopeful.